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MUSIC LABEL GROUP

Pricing

BECOME THE DISTRIBUTOR

Distribute for your whole roster under your own name. Two ways to pay, no cap on artists, no cap on sub-labels. Start on the revenue share and move to the flat fee the moment it saves you money.

Both plans deliver to every major store and streaming service, both are unlimited, and both put your brand on the portal your artists log into. The only question is how you'd rather pay: a share of what you earn, or a flat fee and keep the lot.

DISTRIBUTE FOR ARTIST & LABEL ONLY
STARTER PLAN
15.99 MONLTHY PLAN

BECOME AN AGGREGATOR

  • Unlimited artists
  • Unlimited sub-labels
  • Keep 85% of net royalties
  • Video Delivery to spotify
  • Every major store and streaming service
  • Royalty splits and artist statements
  • ISRC and UPC included
  • Standard delivery queue
  • Self-serve support
  • Pre-Save / Store Link
GET STARTED

WHICH ONE ACTUALLY COST YOU LESS?

The break-even is about $225 a month in royalties. Below that, Starter is cheaper. Above it, Pro is — and the gap gets wide fast.

Monthly royalties Starter Pro Cheaper
$100 $30.99 $49.99 Starter
$225 $49.74 $49.99 About even
$500 $90.99 $49.99 Pro
$1,000 $165.99 $49.99 Pro
$5,000 $765.99 $49.99 Pro
$20,000 $3,015.99 $49.99 Pro

A label earning $1,000 a month pays about $1,992 a year on Starter, or $600 on Pro — $499 if paid annually.
Switch whenever you like, either direction.

WHAT NET "ROYALTIES MEANS"

Net royalties are what actually reaches us from the stores after their own deductions—what Spotify, Apple, Amazon, and the rest pay through, not the headline per-stream rate you read about.

On Starter, our 15% comes off that figure, and you see it as a line on every statement. On Pro, we take nothing from it the monthly fee is the whole cost of the service. Either way there are no delivery fees, no per-release charges, no takedown fees, and nothing to pay if you leave. If we ever add a paid extra, it will be optional, and it will be priced on this page before anyone is asked to buy it.

Why run your own

OWN THE RELATIONSHIP, NOT JUST THE RELEASE

When your artists distribute somewhere else, you're guessing. You don't see the numbers until they forward them. You can't fix a metadata error yourself. You find out about a takedown after it's happened.

Running distribution yourself puts the catalog, the splits, the statements, and the release calendar in one place with your name on the portal your artists log into. They never see ours.

OWN THE RELATIONSHIP, NOT JUST THE RELEASE

THE SAME DISTRIBUTION ON EITHER PLANS

The plans differ on service level and how you pay. What gets delivered is identical.

No cap on anything Unlimited artists, unlimited sub-labels, no per-seat charge, no per-release fee. Sign whoever you want.
Splits that calculate themselves Royalties matched by ISRC, splits applied automatically, and artist statements generated. No more month-end spreadsheets.
Publishing that collects Compositions were registered alongside the recordings, so the songwriting side earns too the money most independents never go and get.

QUESTIONS BEFORE SIGNING UP

Yes, either direction, whenever you want. Most labels start on Starter and move to Pro once the catalog clears roughly $250 a month, because that's the point where Pro costs less.
We take nothing out of your royalties on Pro. You pay $49.99 a month and keep 100% of the net royalties that reach us from the stores.
Yes, either direction, whenever you want. Most labels start on Starter and move to Pro once the catalogue clears roughly $225 a month, because that's the point where Pro costs less.
It covers keeping your catalogue live, delivered and reported on — the work that happens whether or not you release anything that month. The 15% is on top, and only on what you actually earn.
Yes. Distribution here is non-exclusive. Your masters are yours, and your contracts with your artists are between you and them.
Three to seven days to most stores. Pro releases go into the priority queue. Allow three weeks before release day if you want playlist pitching to have room to work.
We review the volume, and we'll reject or remove anything that puts the account at risk. That protects everyone distributing through us a fraud strike against one sub-label can affect the whole pipeline.
Yes, and there's no exit fee. Your catalogue is yours, and we'll help you move it.

NOT SURE WHICH ONE FITS?

Tell us roughly how many artists you've got and what the catalogue earns now. We'll work out which plan costs you less including when the answer is the cheaper one.